What is childhood? Now hum it. Most people wouldn’t know where to start, perhaps their mind would flicker to memories of nighttime lullabies or morning cartoons, but this is the kind of challenge film composers face daily. Logically, a good starting point would be a rudimentary happy or sad, then build from there. Happy is generally more upbeat, lighter instruments like guitar or piano, while sad is usually slower, deep-sounding instruments like the cello.
But what does nostalgia sound like? Most things in life are not binary, happy or sad, funny or serious. There are a mix and combinations of references, thoughts, and emotions. Being able to mimic this within film, or any artistic medium, is where life meets art and art is indecipherable from life. Tapping into this concept and layering it into a film is the most incredible synergistic combination.
Composing music to fit stories, emotions, and moments on screen is a challenge regardless of experience. Finding inspiration and cultivating a creative process will most likely be an ongoing struggle. If you’re new to composing, it can be daunting, and you might not know where to begin.
Music Journaling
Music is usually defined as a combination of sounds to create something harmonious and beautiful, but within the film, a composer needs to think beyond beauty. Films are usually an expression of humanity and reality, and beauty is not the only facet of either. A composer needs to be able to create dissonant sounds, ugly sounds, weird sounds, sounds that reflect the reality of the film. So having an open mind about what music is, is an excellent mental step.
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