On film sets, an entire department is devoted to securing lights, modifiers, and other equipment properly. Most still photographers rarely need the level of production that filmmaking demands—however, knowing which mounting and clamping tools are best suited for a particular job can greatly simplify any photographer’s life. As a bonus, many studio clamps are more or less woodworking tools with baby pins built into their design, so stocking up can also come in handy for home improvement projects. Below is an introduction to some of the common and not-so-common clamps used on photo and film sets.
A-Clamp
The first clamp most photographers encounter is the trusty A-clamp. When you are in a pinch, it provides a pinch, securing garments, reflectors, backgrounds, Foamcore, or gels with ease. As cheap as they are useful, A-clamps generally have 1-inch to 3-inch “bites.” For smaller jobs, their little sibling, the C-47, can clip delicate objects. There are also a handful of A-clamp spinoffs worth exploring, such as Wimberley’s Plamp, which attaches a 23" articulating arm with foam jaws to an A-clamp for positioning small items. Additionally, there are A-clamps with studs and receivers built in, as well as double-sided clamps for tight installs.
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