
It’s an exciting time for compact cinema cameras as they get smaller and more modular while continuing to add better and better specs for lower-budget and mobile production. Although I’ve worked with many cameras on documentary and mobile productions, the Canon EOS C series cinema line has been one of the most versatile, and significant advantages usually come with each new model release. This year, Canon has introduced three feature-packed models to its impressive repertoire: the EOS C70, the EOS C300 Mark III, and the EOS C500 Mark II. Let’s look at each of their advantages and compare their standout features.
Canon EOS C70
The EOS C70 is the freshest design of the three cameras—the other two provide valuable updates to previous models. It has one of the most compact form factors for a cinema camera, resembling the form factor of a DSLR or mirrorless camera, and its durable body makes it a great choice for field, multi-camera, and run-and-gun productions. Unlike the other two cameras, it features Canon’s RF lens mount that provides native mounting for Canon’s new line of fast, compact, lightweight RF cinema lenses that have additional contacts for lens metadata communication and integrated stabilization.
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