If you’ve ever seen a “video village” on a set, you understand how quickly cables and monitor equipment fill the area, making it hazardous, not to mention limiting to a single area where you can pile people up to see the shot. And then there’s the wire nest that piles up around the camera, requiring multiple people to be huddled around the camera to set up a shot, making it necessary to have wired monitors close by. The cinematographer, AC, AD, focus puller, gaffer, and, of course, the director all have to check out how the lighting and framing are set up for the scene.
When wireless video transmitters were introduced, they provided a new and revolutionary way to monitor a camera shot. Not only does a wireless system cut down on the amount of wiring involved, but it also allows multiple people to monitor shots from anywhere on the set, and to monitor from areas farther away from the camera than before. It can be used for:
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