There is no doubt that digital photography is here to stay, and film has certainly seen better days, in terms of availability and affordability. However, what if you’re a digital photographer who simply wants to shoot a roll of film every once in a while, for fun? Film photography has a distinct look that, even with the latest and greatest 50MP cameras, cannot be duplicated by digital imaging. It’s subjective to say whether one look is better or worse, but there is no denying that there is a unique quality to film. Back in the halcyon days of film photography, you could easily drop your rolls off at the local lab or drugstore, come back an hour or day later, and have nice 4 x 6" prints along with a sleeve of negatives. Nowadays, this simple convenience is becoming harder and harder to acquire, and even if you’re able to find a professional lab to develop your film, you usually won’t want to pay the premium for all of those prints to be made.
This is where being able to scan your negatives makes practical sense. Incorporating a common process that photo labs have been using for years, as well as nearly any kind of printing production process, a scanner acts much like your regular camera; its job is to record an image. The difference is that the scanner is a very specific image-making device, designed only for reproduction.
Scanning is a common process that most film shooters in the last 20 or so years have come to incorporate into their practice in some manner, whether it is for scanning film or your prints to share online or make digital prints. While a scanner is certainly a sound investment for those who shoot and need to scan large amounts of film, sometimes it is not the most practical investment. If you’re the type of photographer who will only shoot a handful of rolls a year, or if you’re the type of photographer who enjoys using medium and large format films, finding a suitable scanner can become a greater expense.
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